A Curious Statistical Anomaly

The Washington Science Fiction Association is pleased to announce the winner of the 2009 WSFA Small Press Award for Short Fiction: “The Absence of Stars: Part 1” by Greg Siewert, published in Orson Scott Card’s Intergalactic Medicine Show, edited by Edmund R. Schubert, Hatrack Publishing.

The award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year. An unusual feature of the selection process is that all voting is done with the identity of the author hidden so that the final choice is based solely on the quality of the story. The award consists of certificates for both the author and publisher as well as a trophy and $250 for the author.

The other finalists were:

“Drinking Problem” by K.D. Wentworth, published in Seeds of Change, edited by John Joseph Adams, Prime Books (August, 2008).”

Hard Rain at the Fortean Café” by Lavie Tidhar, published in issue 14 of Aeon Speculative Fiction Magazine, edited by Bridget McKenna.

“His Last Arrow” by Christopher Sequeira, published in Gaslight Grimoire: Fantastic Tales of Sherlock Holmes, edited by Jeff Campbell and Charles Prepolec, Edge Science Fiction and Fantasy Publishing, (October, 2008).

“Silent as Dust” by James Maxey, published in Orson Scott Card’s Intergalactic Medicine Show, edited by Edmund R. Schubert, Hatrack Publishing.

“Spider the Artist” by Nnedi Okorafor-Mbachu, published in Seeds of Change, edited by John Joseph Adams, Prime Books (August, 2008)

“The Toy Car” by Luisa Maria Garcia Velasco, (translated from Spanish by Ian Watson) published in April 2008 edition of Aberrant Dreams, edited by Joseph W. Dickerson.

The winner is chosen by the members of the Washington Science Fiction
Association and is presented at their annual convention, Capclave, held this year on October 16-18 in Rockville, Maryland. Present to accept their awards were Greg Siewert and Edmund R. Schubert, the editor of Orson Scott Card’s Intergalactic Medicine Show.
Also present to accept their Honorable Mention certificates were: James Maxey for his story “Silent as Dust” and John Joseph Adams editor of Seeds of Change accepting for Nnedi Okarafor-Mbachu and K.D. Wentworth.

Well we got a bit of a late start this morning having gotten in so late last night and then doing some of the things to the website, printing material and other odd jobs that needed to be done.

So, up and at the world this morning. We packed for the hotel. Finished loading the car with stuff for the SFRevu table. Checked that we had everything a couple of time and then took off. Traffic was terrible — it was raining. In most places rain isn’t really a problem for driving but with so many cars around her (DC area) the road get quite slick — but, even so 40 miles an hour on the Beltway was a bit slow even for here. Finally we arrived at the hotel and began unloading the car, only to find we’d forgotten the SFRevu sign for our table. But no way were we driving back home for this.

Before we’d even set up our table, I found that I was needed to sell Reincarnations next to the Registration table until another person arrived to take over. This was rather fun. I got to talk to people after they got their badges and made sure the people who were new to Capclave knew that there was a guide for new attendees explaining some of the activities available and some of the other items that were going on this weekend. I managed to sell two books. Then I got relieved and checked on Hyperion in the Dealers’ Room. I took over there so he could check into the hotel.

Once we had a room and could get rid of the rest of our stuff I thought I’d check out a few panels and see how things went. Instead, I managed to fill two positions on my Capclave 2010 committee. Then it was helping someone find the table they’d asked for to advertise their convention. Then it was taking over for Hyperion again so he could set up our network for a panel on LibraryThing and other online library/book sites. The SFRevu table got lots of browsers and many friends stopped by but we didn’t get another break until the room closed.

Then I ended up helping out at Registration, which had a huge line and needed to reopen for another couple of hours. I hadn’t worked registration before so this was quite a learning experience. Even better, an experienced person was on hand to answer/help with the difficult questions. I now have a better understanding of the process.

Finally, at about 9PM we managed to get away to go find dinner (which was really lunch as well). We just wanted something quick and spotted an Arby’s. On the way back to the hotel. We stopped at a light and heard some strange noises and turned off the heater so that we could hear better. There was a car in front of us and the one in front of that one hit the first car in the line in the rear. The driver got out to talk to the people in the car that hit her. They evidently cursed at her instead so she went to walk to the rear of their SUV to get their license number and they gunned it and rammed her car out into the intersection, where her empty, driverless car managed to miss two cars going through the intersection on a green light and hit a car waiting on the red. The SUV that rammed that car then drove off.

As surprised as I was by this I was just as surprised that the car in front of us just drove off as if nothing had happened. The woman was by this time a bit hysterical since her car was now in an accident and the people who caused it had driven off. We asked if we could help and offered to call 911. Before we could even complete the call the police arrived. We confirmed that she’d been rammed from behind and pushed through the intersection by a car that then drove off. She had only 3 numbers of the plate. Unfortunately, there was nothing else we could do.

I’m still appalled that anyone would do such a thing. Even more appalled, in a way, at the people who just drove off without even a thought to what had happened. The car in front of us who drove off would have had a clear view of the offending cars license plate and could have offered real police assistance. Whatever happened to good citizenship?

Anyway, finally back to the hotel. We checked on a few items to make sure everything was going smoothly and checked with the ConChair to make sure help wasn’t needed. Then we attended the 1984 party. We had a great time talking to a number of people gathering suggestions for Capclave 2010 and catching up with people we hadn’t seen since the last Capclave.

I’m sure by now you’ve noticed what’s missing in this Capclave report — panel overviews. Right. This year, I’m Vice Chair which means I get to help where needed by the Chair and jump in when necessary if the Chair is busy elsewhere among other things. So, if today is just a taste of what tomorrow will be like — actually coverage of panels and talks may be a bit thin. Maybe what I’ll really be reporting on this year is the behind the scenes running of a convention.

Anyway, it’s nearly 2 AM and I need to be up and ready to work the WSFA Press table tomorrow at 10 AM. So, I’m signing off for now.

Capclave starts tomorrow. Today, we had to drive in to deliver the boxes of books filled with Reincarnations by Harry Turtledove (foreward by Sheila Williams). The book debuts at Capclave.

We also helped stuff the registration packets so they’ll be ready when registrations opens. We didn’t stay at the hotel tonight (or should I say this morning) since we have to drive back in tomorrow with the car filled with the SFRevu stuff for our table in the Dealers’ Room. It was a busy and active day but satisfying in that we got to talk to people and catch up on what’s happening in people’s lives, discuss Capclave items and what still needs to be done and what has been done, make some plans for next year based on this years experience, and to just appreciate being with friends.

If you’re in the DC area and enjoy science fiction and fantasy, check out Capclave. Conventions are a great place to meet people who enjoy the same reading material that you do. I’ll be posting daily coverage of the convention here — or as much coverage as I can and still manage a few hours sleep each night.

If you do come to Capclave — say hello if you spot my name tag or see the SFRevu table in the dealers’ room stop and say Hi.

Bibliographic Info:
Crow Call by Lois Lowry.
Illustrator: Bagram Ibatoulline.
ISBN: 978-0-545-03035-9
Scholastic Press.
$16.99 US/$21.99 Canada.
Published: October 2009.
Hardcover.

The cover was so stunning that I just stared at it for a while before I bothered to open the book. The front flap said the story was based on the author’s personal experience. I flipped through the pages before reading and the art is all of that wonderful muted colors that, while not really old, gives the impression of time past and long ago. The scenes are all realistic and, for this reader, made me remember my own childhood in Maine. The town. The cars. The restaurant/diner. The countryside. Perhaps I don’t really remember but only think I do from photos, but nonetheless the images evoke that feeling of long ago but almost now. A magical time.

The story is a simple one. A young daughter is trying to connect to the father than has been gone for so long, fighting a war in a far off land. He’s back now. Her father. A stranger. This quote from the book, which was also on the flap makes the young girl’s feelings clear:

I sit shyly in the front seat of the car next to the stranger who is my father, my legs pulled up under the too-large wool shirt I am wearing.

I practice his name to myself, whispering it under my breath. Daddy. Daddy.

Saying it feels new. The war has lasted so long. He has been gone so long.

It’s the next page when she finally talks to him to say, “I’ve never gone hunting before….” that caused me to hesitate. At this point the story could go many different ways. Lowry has often taken me where I didn’t want to go in her books. So, I took a deep breath to calm myself and continued. Yes, they’re off to go hunting — crows not deer. The crows are eating crops and need to be culled.

But first there are a few incidents that are great opportunities to talk with children. They stop for breakfast at a diner. Obviously they are going hunting and girls don’t hunt. Liz has her braids tucked into her shirt and the waitress calls her “son”. Neither Liz nor her father correct the mistake and later they joke about it. I had to laugh because nowadays girls are allowed to do so much more than they were when I was a child and children on farms were often taught to do the same chores no matter what their gender. But, it’s more than that — it’s a nice bonding moment for Liz and her dad.

Once they arrive at the field where they will hunt the crows. Liz takes out her Crow Call. It’s her job to call the crows to them so her father can shoot them. They discuss this a bit and Liz is determined to go through with it because she wants to show her dad that she can be strong — but it’s fairly obvious that she doesn’t feel right about this.

Once she blows the call, the crows rise into the air and respond. The moment in story and illustration becomes almost magical. Have you every watched birds just fly for the fun of it. Circle on the air. Chase each other. Ride thermals. Can you imagine hundreds of crows answering a call of another crow in the distance.

It’s a simple story but one with many opportunities to talk with your child(ren) about what life was like, about activities that you or your grandparents used to play. Does anyone play kick the can or one-two-three-red light anymore? Or just spin and spin until you fall over and then watch the stars and fireflies until the world settles down? The world before Nintendo and Wii.

On the other hand, even though the world has changed since Lois Lowry was a child (there’s a photo at the end of the book of her in her big woolen shirt), this is still a story that children of today can relate to and enjoy. The fact that it’s also beautifully presented and is a bit of nostalgia for adults doesn’t hurt either when you’re looking for a good book for a gift.

In the world of PC and “won’t someone think of the children”, there’s nothing here that should upset children — or adults.

Monica Fairview, author of The Other Mr Darcy, was gracious enough to answer a few questions allow me to share her answers. Her book was released on October 1st and is now in stores. I reviewed The Other Mr. Darcy on my blog last month on September 23rd.

Drawing:

I’ll be giving away one copy of The Other Mr. Darcy. The winner will be chosen from those who have commented on this post and live within the US or Canada. The winner will be chosen from those who comment on October 16th.

Interview with Monica Fairview:

What drew you to Caroline Bingley? She’s not a very sympathetic character in Pride and Prejudice and most follow on books center on the P&P main characters, what was it about Caroline that called to you to give her a chance at happiness?

I see Caroline as an underdog in Pride and Prejudice. Elizabeth waltzes in and steals Mr. Darcy from right under her nose, and to add insult to injury, everyone gets to hate Caroline because she wanted Darcy in the first place. I kept thinking about Caroline and the kind of labels people attach to her such as “evil” and “witch” and other less polite terms, and my feminist instincts came to the fore. Why is Caroline the scapegoat in this story? She doesn’t do anything that Darcy doesn’t do. Darcy snubs Elizabeth and makes snide remarks about her family (“I’d sooner call her mother a wit,” he says), separates Bingley from Jane, and has plans to marry well. Caroline doesn’t do anything worse than that. Yet Darcy is forgiven, because he comes to love Elizabeth, but Caroline isn’t. There’s a much worse villain in Pride & Prejudice: Wickham. And yet you don’t hear people call him names.

So I wanted to give Caroline a voice. It’s as simple as that.

I was a bit surprised that Mr. Robert Darcy was American. It can be assumed that there are European D’Arcys, so why put a branch of the family in American?

I didn’t even think of the European D’Arcys because I was looking for a specific type of hero. Robert Darcy’s father left England because he was an odd person out. He couldn’t live with the expectations of being a gentleman. He was a businessman, and since engaging in trade wasn’t quite respectable, he needed to go elsewhere. Robert Darcy, too, is a sort of rebel. He does his own thing, even though as a Bostonian whose mother comes from a Brahmin background (though that word wasn’t used until later), he’s been raised very much like an English gentleman. So he’s capable of seeing two sides of the coin. Because of that, he can help Caroline see what’s wrong with her own lifestyle. Plus, he won’t look down on her for being in “trade.”

In addition, I have an underlying theme in the novel about “otherness” and how easily one can become alienated from society. Britain is at war with America at the time the novel takes place. Robert is caught behind enemy lines, so to speak, although the English at the time were more interested in the war with Napoleon than what was happening in the former colonies. But it forces him to examine his own identity. As a Darcy, he is part of the upper class in England. But as an American, he has supposedly moved away from such distinctions. It was fascinating to explore the contradictions inherent in the social systems. Through Robert I was able to look at the differences between the New World and the Old, and to explore the question of the newly established American identity of the time.

Because Robert is actually trying to define his own identity, his journey of self-awareness runs in a way parallel to Caroline’s, who also learns some hard lessons about her own role in society, both from a class perspective and as a woman.

One of the main problems of writing a follow on book from any of Jane Austen’s works, is “how true must I stay to the characters she developed as I bring them into a new adventure.” Did you feel that keeping the main character traits caused you any problems in moving in the direction you wanted to go? Did it cause any problems in your filling out Caroline’s growth and change?

Yes, it’s very hard – you do have to stay true to the characters. And you have to be very disciplined. I found it very restrictive, in some ways, but I also found I learned so much about the craft of writing from Jane Austen. She’s amazing, really, not only because of Darcy or Elizabeth but because she’s so very subtle. And then trying to adopt Jane Austen’s characters and move them into the new context was a huge challenge. I enjoyed it tremendously, though. Some Austenesque writers solve the problem of keeping the characters true by using actual quotes from P&P. I couldn’t do that, because I wasn’t presenting things from the same angle. I did use a lot from P&P to fill in Caroline’s background, but by the beginning of The Other Mr. Darcy Caroline had already changed in some ways. She’d been in love, and she’d been badly hurt. I was therefore able to have her stay true to her character, but at the same time I was able to show her as vulnerable, too, for two reasons: 1) because of the pain she went through and 2) because Robert Darcy has watched her fall to pieces, and she feels almost in his power.

I think when it comes to the other characters, the Bennets, for example, I’ve stayed as true to P&P as I could while at the same time putting them into different contexts. I studied the speech patterns of each of the characters very closely, and tried not to have them say anything that didn’t seem to fit. I’ve known P&P since I was about thirteen, and have read it so many times I have sections of it memorized. That definitely helped.

When not reading or researching the Regency period for your books, what type of books do you like to read — what are the last five books you read just for fun?

I noticed that you featured Connie Willis on your site. I just (re)read Passage, which I think is brilliant, though probably the word “fun” doesn’t apply here. I love her writings. I also love Cherryh’s Foreigner series, because I love the way she deals with cultural issues. For fun, to get out of the Regency world I seem to eat, drink and breathe, I read SF, especially by women writers, though I don’t read as much of it these days as I used to since it seems to have gravitated towards horror, which is not my genre, even though it’s enormously fashionable. I’ve been reading some British romantic comedy writers such as Julie Cohen’s Girl From Mars, Phillipa Ashley’s Decent Exposure, and Jill Mansell who is now being published by Sourcebooks. I read veraciously.

Most people are interested in writers and their lives, so what’s a typical writing day like for you?

I dream of something to write, then I wake up and start scribbling frantically onto bits of paper. Actually, not true, though sometimes that does happen. Not the dreaming part, but the bit where I wake up with a dialogue or scene in my head that I have to write down or I lose it. But otherwise, my working day is quite mundane. I usually turn on my computer when I wake up to give it a chance to do all the updates and come up with all the delays it possibly can, then do school drop-off. Next I procrastinate by checking e-mails, facebook, twitter, etc. When I have no more excuses left, I have to start writing. It’s really like any job, except it’s a lot more fun. I have to take into account my child’s schedule. I usually stay up late to write because that’s a quiet, peaceful time with fewer interruptions.

Has the reaction to The Other Mr. Darcy held any surprises for you? Anything you didn’t expect?

Not so far. I’m sure there will be some surprises, though. The Other Mr. Darcy is a bit different from many of the Austen-inspired novels out there.

Thanks for your time!

Thank you! I’m delighted to have had this chance to share my thoughts and books with you and your readers.

The Other Mr. Darcy—in stores October 2009!
Did you know that Mr. Darcy had an American cousin?!

In this highly original Pride and Prejudice sequel by British author Monica Fairview, Caroline Bingley is our heroine. Caroline is sincerely broken-hearted when Mr. Darcy marries Lizzy Bennet— that is, until she meets his charming and sympathetic American cousin…

Mr. Robert Darcy is as charming as Mr. Fitzwilliam Darcy is proud, and he is stunned to find the beautiful Caroline weeping at his cousin’s wedding. Such depth of love, he thinks, is rare and precious. For him, it’s nearly love at first sight. But these British can be so haughty and off-putting. How can he let the young lady, who was understandably mortified to be discovered in such a vulnerable moment, know how much he feels for and sympathizes with her?

About the Author:
As a literature professor, Monica Fairview enjoyed teaching students to love reading. But after years of postponing the urge, she finally realized what she really wanted was to write books herself. She lived in Illinois, Los Angeles, Seattle, Texas, Colorado, Oregon and Boston as a student and professor, and now lives in London. To find out more, please visit http://www.monicafairview.co.uk/

I spent a good chunk of my time today working with a WordPress Plugin to try to get a map of all the restaurants in the vicinity of the Capclave convention hotel.

After hours of work, Hyperion and I managed to get the maps to show. The problem is that it was one map per restaurant. Not good… back to the drawing board. Searching …searching….searching…reading….searching…. you get the idea.

Anyway finally found another plugin that looks like it will easily do multiple items on one map but I’d have to enter all the data again and it has to already be geocoded when it’s entered because it doesn’t do it automatically like the first one did — which is why it was the first one I tried.

Okay, more fiddling and it looks like we can export the database to a file and then import to the new one once we know what it required and in what order — then I’m back in business.

The frustrating part is I have to enter the rest of the restaurant data into the program we’re not going to use to get the geocode for the one we are going to use. That’s another two pages single spaced of restaurants (names, addresses, telephone, number, types of cuisine, average cost of a meal).

I know I’m complaining but really this hasn’t been a wasted day. I’ve learned a lot about geo codes, maps, mapping plugins, and a couple of programming tips. I’m also thinking it’s about time I learned a bit more so I could actually change a program that ALMOST does what I want to doing EXACTLY what I want. (Yeah, I’ll add that to my TODO list somewhere around item 4,789,968,365. That’s it … I just have to live forever if I’m even going to make a dent in this list.)

Meanwhile, if any reader has tackled trying to do a map of multiple items to display on a WordPress page using your own list of places–especially with a roll-over that will list the restaurant when you are over the little marker — let me know what you used.

Hyperion and I only have like a couple of days to get this up and running on the website. Time is getting short and suggestions are welcome — though that doesn’t necessarily mean I’ll do more than listen and bang my head on the keyboard for a while for not thinking of whatever myself.

It seems like today I was busy from the time I got up until and including now — I had a huge TODO list and barely made a dent in it. (Guess it didn’t help having insomnia strike again and again.)

We’re coming up on Capclave which will be from October 16 to 18th in Rockville, Maryland. SFRevu is having a sales table in the dealers’ room. It’s a great small convention focusing on short fiction. This year the Guests of Honor are Harry Turtledove and Sheila Williams.

The Washington Science Fiction Association (WSFA) is activating WSFA Press to publish a limited edition book, Reincarnations by Harry Turtledove with Introduction and notes by Sheila Williams. The book will be for sale at Capclave and pre-orders are being taken at the WSFA Press website.

I’m on the WSFA Press publications committee, vice chair of this year’s Capclave, and Editor of SFRevu, Gumshoe Review, and TechRevu.

You can imagine just how busy that all keeps me — and it’s also severely impacting my knitting time. I’ve got Einstein mittens to finish fine tuning, two bears to finish, not to mention the sweaters (3 in various stages of knittitude), and socks (one project in just about every place I might light for an few minutes).

I need a hug. Guess I’ll go find Hyperion. (Anyone get the reference?)C

My Little Polar Bear is written and illustrated by the author, Claudia Rueda. Published by Scholastic Press in hardcover with a dust jacket which has nice sparkles like falling snow everywhere but the words, the bears, and the snow. The book is aimed at 4-8 year olds. At that age they may be able to read it to themselves as the words are very simple and very, very few — many that repeat. However, it can be read to children much younger.

There is no plot per se, the baby polar bear wants to know if he or she is a polar bear. The parent bear assures the child that indeed that’s what he/she is — a polar bear. The inevitable “Why?” elicits a list of polar bear traits that the baby shares with polar bears. The child is concerned because she/he doesn’t meet all those traits. It ends with the parent expressing an “I love you”. Simple affirmation of who you are and that you are loved for who you are–what all children should expect and receive–unqualified love. Just because you exist, you are loved.

I can see reading this snuggled up with a young child, and can almost imagine the questions the parent will get about polar bears and why can’t “I” be a polar bear. Parents will understand how the simplest story or homily will and often does turn into a philosophical discussion preceded by “Why?”. But its simplicity makes it a good cuddle down with me for five minutes book.

My only problem –and it’s a problem of my preferences in children’s art books–the art is very lovely in pale blues, white, and grey. I would have liked more contrast for young eyes. These older eyes prefer contrast too — while very stylistic and beautifully uncluttered I miss the contrast that could have been done with the dark sky of the winter polar region. But that’s only my preference.

However, I do love polar bears and thought as long as I’m talking about polar bears, here’s the National Geographic site which has some polar bear wallpaper that might just go along with the book, My Little Polar Bear. This particular photo shows what I mean about a stronger contrast between the blue and white–just saying.