A Curious Statistical Anomaly

We woke up this morning to this only with more fog…

The front yard with lots of snow and fog

The fog has lessened a bit but the sky is so grey.  The snow is light but the wind is blowing so it’s hard to focus on anything out there except what’s close to you. The birds have been crowding the feeder, we had refill it already today.

Hyperion drove down to the mailbox to check if we’d gotten anything. It’s also a way to scrap the snow off the middle of the road where it hasn’t been shoveled or plowed from the first storm so that the two wheel ruts will still allow us to get out of here if necessary. He found a plastic bag with a box and several big mailing envelopes in the snow bank that was for us but no mail in the box. He re-shoveled the mailbox out but with this wind it won’t stay clear.

The wind is really howling through the upper branches of the trees. So far none have come down. It’s hard to tell how much snow we’ve gotten so far. In some places about 6 inches in others just 2 — but with wind and drifts it could be anything in between.

Government is closed again today, so Hyperion’s is home. It’s nice having him around. I’m still working because — well, gee I work from home. I’m taking more breaks to sit with him but then I read (so I’m still working since the books are ones I’m reviewing for the next issue). But we’ve also watched a few movies over the last few days. I’ve got most of the foot done for my first sock from the Rocking Sock Club. I had to unknit about an inch because I didn’t read that the heel started earlier than I expected (I usually start 2 inches from the heel making the extra increases and this one is 3 1/4 inches from the heel. Looks good though.

We had a heck of a bad storm over the weekend. It started snowing on Friday and ended late Saturday night. For the first time in just about forever, I managed to take photo before the storm got going.

As you can see, we do have some snow left from the 1/2 to 1 inch dusting we’d gotten a few days before this bit storm. Here’s a photo taken during the storm.

Bird line up to eat during the storm

Note all the birds on the railing and at the feeder. It seems our local birds know where to get food when it storms. The minute the snow started on Friday they came knocking on the sliding deck doors. Then gathered to eat from the feeder. I say they knocked on the door but depending on the bird they peck at the glass or flap against it to get our attention. They tend to do this when the feeder is empty, especially when it’s snowing.

Here’s a photo of what it looks like today. The railing had been cleared off by the birds already.

The same view after the storm

There’s some glare in all the photos because they were taken through the glass doors but you get the idea.

In total we got about 2 feet of snow. When we woke this morning, we found that the neighbors plow guy had come through and plowed the main dirt road we all use. That means we only have to shovel from the carport to the road that was plowed — about 500 feet. So far Hyperion has shovel a single shovel width from the house to the car and then cleared off the car. He started doing two single shovel widths for the tires to the road. Actually the snow is too deep for body of the car to clear it (and it’s a pretty high clearance on that Honda). So, after he gets the two wheel lanes cleared he’ll start on the center strip. I really wish I could help but last time I threw out my back so I’m just a cheerleader this time.

We’re really lucky. We didn’t lose power and a lot of people in Maryland did. We didn’t lose any trees that we know of and another friend had two trees go down in their neighborhood and they’re stuck at home until the trees get taken care of.

Meanwhile for added fun, the weather people are predicting another storm midweek. I hope we get shoveled out from this one by then.

A Contest: The Sourcebooks, the publisher of Mr. Darcy’s Great Escape, is willing to support a giveaway for the US and Canadian readers of this interview. Leave a comment on the post and I will chose a random comment author on Sunday February 7th. I’ll contact the winner to get their snail mail address. Winner will receive one set of three books in the Darcys and Bingleys series).

Marsha Altman continues the story of The Darcys and the Bingleys in Mr. Darcy’s Great Escape, bringing us to 1812. This is book three of the series following The Darcys and the Bingleys and The Plight of the Darcy Brothers. The books are a delight, continuing the lives of some of literature favorite characters Elizabeth Bennet Darcy and Fitzwilliam Darcy. One reviewer said that “that [these books] would please even Jane Austen.” The more I read about Austen’s wit and humor, the more I do believe that she would appreciate Marsha Altman’s continuation of the story.

It may be Mr. Darcy’s Great Escape but you gave the women a very big role this time. Just how much fun was it to pair up the unlikely duo of Elizabeth and Caroline?

Marsha: A lot of fun, but also a little tricky. Even though nine years have passed since the events of Pride and Prejudice, these women still haven’t completely warmed to each other. Elizabeth is still witty and stubborn, and Caroline has to retain a certain edge to her for her to remain Caroline Bingley, even if she’s now Caroline Maddox. It’s not my attempt to make these characters unrecognizable, even if they do evolve significantly as they go through milestones in their lives, particularly marriage and children. Nor was it appropriate to have them constantly sniping at each other, because their journey was very serious. So I had to find a kind of balance there. Darcy and Dr. Maddox actually have more time to bicker, because they have few ways to pass the time while they’re waiting to be rescued.

So much of this resonated with Bram Stoker’s Dracula only without the vampires but with all the Gothic scariness. There’s even a ninja. Did you intend such a homage? Or am I just seeing a connection you didn’t intend?

Marsha: Just a straight-out correction here: There are two vampires in this story. The book just never says it outright, but the hints are hidden in the details. They reappear in other literature I’ve written that’s not Pride and Prejudice related and is either going to be published soon or I’m hoping will sell later this year. And there are no ninjas, only samurai (book 8 has ninjas).

The homage is entirely intentional, but more for the reader than the characters. To them, Transylvania is a place they’ve never heard of and can’t locate on a map before this story begins, except within the context of Brian Maddox having mentioned it was in Austria somewhere in the previous book. Let’s remember that Dracula by Bram Stoker wasn’t published until 1897, and that book was the formation of the modern vampire legend and its association with Transylvania, whereas previously the legends about vampires were less centralized to a place and more nebulous. Vlad the Impaler, on whom Dracula the character is supposedly based, was actually from Wallachia, not Transylvania, and his legend wasn’t widespread until the book was published. So the name “Transylvania” wouldn’t strike instant fear into the hearts of people in 1812. It would be intimidating for being so far east, beyond the known and safe world of the European Continent even if it was technically part of the Austrian Empire at the time, because of its remoteness. The fear comes from leaving familiar Regency England and traveling into a dangerous backwater area, where the “other” is the real scare, not the supernatural.
Nonetheless I chose Transylvania because it has an instant connotation for my audience, and it does have a wealthy historical tradition of folklore to draw from in the scenes that use it. When you’re in a mysterious place, it’s an easy step to be drawn into the foreboding local tales that might surround it, so it’s a simple jump from “scary count who kills people” to “vampires, witches, and warlocks.”

I should remark that this isn’t totally fair to Romanian history. Transylvania had plenty of European, cosmopolitan nobles who had encountered the Enlightenment and were beyond this nonsense (there’s one in the book), but the villains are particularly backwards to heighten the experience.

It seems with each book that Mr. Darcy has to face some of his inner devils or at least learn to broaden his view of the world and the people in it. Do you enjoy tormenting him? Have you got much more torment in store for him?

Marsha: This is as bad as it ever gets for Darcy. Seriously, I let him off easy from here on. He’s better equipped to deal with strife that involves his family lineage in future books after his experiences in this book. This book was my attempt to stretch as far as I could my interpretation of Darcy. In many circles, there are two schools of thought to explain Darcy’s actions in Pride and Prejudice – either he made his mistakes because he was “proud” and then genuinely learned from his actions and changed his characters, or he was “shy” and misinterpreted, causing multiple misinterpretations on both ends that needed to get cleared up before the right people could get married. Austen provides fodder for both explanations: Mrs. Reynolds, on Elizabeth’s visit to Pemberley, goes out of her way to proclaim that her master has always been good and kind to everyone, and Darcy admits at Rosings that he’s not good in making easy conversation with strangers, leading to the “shy” interpretation. Then you have Darcy at the end saying that he was spoiled as a child and expected only the best, leading to the “proud” interpretation. I’ve always sided with “shy” because it makes Darcy a better man – he’s not a jerk who reformed so much as someone who made bad decisions and then corrected them.

Today we have a larger understanding of people who are uncomfortable around other people, myself being one of them, and don’t have an easy time making new friendships or retaining old ones. For people like this, parties full of strangers can feel like living hell. In extreme examples, you have Social Anxiety Disorder, where people can actually develop shortness of breath in the presence of too many people, and you have medication for it. I don’t believe that these problems didn’t exist in the past, they just weren’t acknowledged or understood. I am not, for the record, diagnosing Darcy with SAD (his symptoms don’t match), but pushed to the edge as he is in this book, the darker side of whatever makes him an unsocial person comes out in full force, and coupled with a genetic predisposition you have a serious problem on your hands that tests not just him but everyone around him. It’s a pretty radical interpretation of Darcy, but I like doing new things.

It appears that Gregoire may be learning to relax a bit. You’ve taken all the characters in new directions that wouldn’t have been expected just one book ago. But, it all feels so consistent with their growth. Can you tell us in some very general terms what we might have to look forward to in future volumes?

Marsha: G-d willing, this series will keep being published by my benevolent publisher Sourcebooks, and the next book will be mostly concerned with Grégoire, and his spiritual evolution after some events force him to return to England. Grégoire is like his half-sister Georgiana in that he believes in the good in everyone, but he’s a Darcy, so that makes him stubborn as hell about the way he wants to live his life, even if it seems in direct conflict with the way a modern person (in Regency terms) should live their life. In the fourth book you also have the emerging characters of the children. George Wickham (the third), Darcy’s half-nephew, is old enough to be in University, and Geoffrey Darcy is about to leave for Eton, and Georgiana Bingley is getting ready to enter society, so the shape of their characters as adults is starting to emerge, and the parents have to take a greater hand in trying to guide them into adulthood, where potential fortune or disaster awaits depending on their behavior. When they’re little kids, you can kind of let them run around and occasionally give them instruction, but the stakes become much higher much faster in their teenage years.

The fifth book, which a lot of my readers on the internet feel is the best book so far (nobody’s had a chance to weigh in on the last book and the Velociraptor-related ending), is the one where most of the children have entered society or are about to do so, and they become instrumental to the conflict and resolution in the story. There are still a lot of young kids running around, but the main cast of the next generation has emerged as players, sometimes to their parents’ disapproval. I didn’t want to write a series where BOOM! the kids are all adults trying to get married and the adults haven’t changed except that they have more gray hair and wear glasses. Books skip ahead a few years to key events, but the evolution is steady and somewhat mapped. Nobody ever stops evolving, because people are always growing, even in their later years.

What’s been the biggest surprise about response to your series?

Marsha: That people who have not read Pride and Prejudice have read it and enjoyed it. My parents re-watched the movie and that helped them out. I really should have included a summary of Pride and Prejudice in an introduction to the first book.

Mr. Darcy’s Great Escape—in stores February 2010

Hilarious and action-packed, this installment brings the Darcy and Bingley families to the year 1812 and the intrigues of the Napoleonic Wars. Darcy and Dr. Maddox go in search of Darcy’s missing half-brother and land in a medieval prison cell.

Much to his dismay, Charles Bingley is left to hold the fort at Pemberley while his sister Caroline, Elizabeth, and Col. Fitzwilliam traverse Europe on a daring rescue. Meanwhile, Lady Catherine de Bourgh kicks up a truly shocking scandal. One never knows what might happen next between the estates of Rosings and Pemberley.

ABOUT THE AUTHOR:

Marsha Altman is a historian specializing in Rabbinic literature in late antiquity, and an author. She is also an expert on Jane Austen sequels, having read nearly every single one that’s been written, whether published or unpublished. She has worked in the publishing industry with a literary agency and is writing a series continuing the story of the Darcys and the Bingleys. She lives in New York.

Marsha Altman continues the story of The Darcys and the Bingleys in Mr. Darcy’s Great Escape, bringing us to 1812. This is book three of the series following The Darcys and the Bingleys and The Plight of the Darcy Brothers. While the lives of the major characters have continued since Pride and Prejudice, Altman has remained true to the character of each person and yet allowed them to grow and change, not to mention beginning a new generation of Darcys and Bingleys.

The book opens as the entire clan gathers at Netherfield, which Mr. Bennet has had to rent, for Kitty’s wedding. It’s an occasion that allows the reader to catch up on the growth that has taken place and refresh their memories of the previous books. It also sets up the relationships between the characters and their families, so what happens later in the story fits into these new and expanding friendships and family connections.

Once past the confused chaos and joy of the wedding, we’re hit with incident after incident with little quiet time to relax until the end of the book. That’s not to say the book is episodic or has gaps that make the story jerky — it’s just much more of an action adventure thriller than the sedately paced story most readers would expect from a Pride and Prejudice follow on. In fact, I don’t think any of Altman’s books are quite what you’d expect, but they are nevertheless some of the best follow on stories to Pride and Prejudice that I’ve read to date. Each volume is filled with humor, quirky happenings, incidents that will have you laughing right out loud, as well as scenes that will catch at your heart and put a tear in your eye.

You probably wonder why I’m not getting to what the book is about, well, it’s a book that brings a lot of characters together in way that you would not expect, doing things you probably would never have thought possible. Lady Catherine de Bourgh finally invites the Darcys to Rosings and of course she has ulterior motives that in themselves bring on some especially trying and unexpected consequences. Dr. Maddox’s brother Brian has invited him to visit with him and his wife in Transylvania. It’s a strange letter and Dr. Maddox feels he must not just respond but take the journey to find out for himself what is going on. Darcy has lost contact with his brother, Gregoire. The war is heating up in Europe and many of the monasteries are being disbanded. Concerned that traveling alone could be dangerous, Darcy and Dr. Maddox decide to travel together. When their wives receive notes that make them suspect that something is going on, Elizabeth and Caroline put aside their differences and set out on a mission to discover what has happened to their husbands.   Bingley and Jane, of course, need to stay behind and watch over all the children, related businesses and establishments. I’ll leave it up to the reader to determine who had the worse part of this adventure.

There are plenty of incidents that occur in England and in Europe and Altman manages to keep us informed on what is happening to each of these various groups: Darcy and Maddox; Elizabeth and Caroline; Gregoire; the Bingleys, and the Fitzwilliams. Just as in life, it’s complicated, but once you begin you just can’t put the book down. I ended up reading it through four times preparing for this review because if I opened it to look up something, I ended up rereading it. In fact, I’m about one third of the way through again.

So don’t waste any time, Mr. Darcy’s Great Escape should be available from Amazon and from wherever you usually buy your books. But don’t start reading until Friday night because you’ll want to finish it in one go and start over again to savor the humor, the adventure, and the pleasure of spending time with the Darcys and the Bingleys.

NOTE: Tomorrow’s post will be an interview with Marsha Altman about Mr. Darcy’s Great Escape and other books planned for the series. Please check back for the interview and to enter a contest to win a set of all three of the books that have been published in this series so far.

A friend pointed me to this YouTube Video about the sameness of urban fantasy book covers and the poses of the female protagonists. Go ahead take a look.

The problem is that often, if not nearly always, authors have no control over their book covers. That’s why a red-headed heroine might be on the cover as a blonde or brunette. Mythical creatures that never show up in the book might be featured prominently on the cover.

It’s not the artist’s fault either as some discussion with cover artists have informed me, it’s seldom within their deadlines that they are actually given a copy of the book to read before they begin the project. Often an artist gets an overview of those items that should be on the cover to make it stand out on the shelves.

The problem is that when a great urban fantasy comes along and sells well, the marketing types forget that people are buying a book with a compelling story and figure if that type of cover sells, then our cover with the same elements should sell our book. Many times the writing and author combine to sell the book, reinforcing the move toward a “look” for the newly emerging sub-genre.

I remember years ago when Fabio was on practically every cover of a romance novel in the bookstore. Some friends and I were in a bookstore, came around a corner and faced a wall of outward facing romance covers. We began to look at them. We figured there were probably about 10 poses which included: girl clutched to man’s leg, girl clutched to man’s back/side/chest, girl draped over man’s arm and so on. The only difference in these poses were the costumes that indicated the period of the romance.

This video certainly makes it seem that things haven’t really changed. That as hard as publishers/artists/authors/art directors try to be different, with the lead times they have for publications, there are bound to be a whole lot of covers that look like fraternal clones.

The Washington Science Fiction Association [http://www.wsfa.org] has created of a literary award to honor the work done by small presses in promoting and preserving science fiction. The WSFA Small Press Award will be given yearly for original short fiction works (17,500 words or fewer) of imaginative literature (e.g., science fiction, fantasy, horror, speculative fiction or like literature) published by a small press.

For the purposes of the award, a small press is defined as a hard copy print or web publication house releasing from 3 to 25 titles per year. Eligible periodicals are those with a paid circulation of fewer than 10,000 in the year that the story is published. Periodicals must have an must pay authors in cash as opposed to non-monetary items. Any story published in a periodical owned by a major publishing house or media producer is not eligible for this award. For complete rules check the website.

For this our 4th Annual WSFA Award, eligible works are those published for the first time in English in 2009. To help us identify worthy pieces, we are asking for small press publishers and authors to nominate stories. (The story does not have to be published by you, although we generally expect you to nominate works from your publications.) You may nominate up to three (3) stories as a publisher, one (1) story as an author.

FOR THIS YEAR THE DEADLINE FOR NOMINATIONS IS April 1st.

Nominated stories _must_ be submitted in electronic form, in any of the common formats (e.g. doc, rtf, pdf). Judging will be blind, that is the name of the author and publisher will be stripped from the story. Therefore, we ask that you either send the story in a format that allows us to edit the file to remove the author’s name, or strip the name yourself but be sure to include the name of the author in the accompanying email message.  Nominations should be sent to admin at wsfasmallpress dot org. The accompanying email should indicate the name of the person or entity that holds the copyright to the story and permission from that person or entity to circulate the story within WSFA for the purposes of judging. We also need to know the publication information (Publication name, issue date) The story WILL NOT be circulated beyond WSFA members and will be housed on a secure, password-protected website.

The award will be presented at the annual WSFA convention, Capclave, held each year in October in the Washington, DC, area. The award winner and the publisher will be notified prior to the convention.

Additional information about the award can be found at the website.