A Curious Statistical Anomaly

Recollections of Rosings by Rebecca Ann Collins is book 8 of The Pemberley Chronicles. (Published by Sourcebooks, ISBN: 978-1-4022-2450-8, 336 pages, $14.99 US/$17.99 CAN/£7.99 UK)

While this is book 8, I found it fairly easy to get into. This is only the second book in the series that I’ve read. I reviewed Postscripts from Pemberly back in December 2009. If you’ve read Pride and Prejudice, you’ve got an understanding of the major characters.  And while these characters have moved on, had children, had their children marry, lost loved ones — reading Collins’ work is like dropping in on a huge family reunion after being out of touch for a long while. The books, or at least the ones that I’ve read have an Appendix that lists the major characters and the relationships between them.

I’m starting by pointing this out because there’s a relaxed atmosphere about the stores in Postscripts… and now Recollections…. Collins has a way of presenting the stories partly through the type of narrative/interactive story you’d expect, but she also uses journal or diary entries and letters to help us get a deeper understanding of the characters that have a major part to play. This makes reading the books a lot like being asked to read someone’s personal journal when you know all the people involved (society pages without the cattiness).

Recollections of Rosings is, as you’ve probably guessed about Rosings, the major residence of Lady Catherine de Bourgh. Lady Catherine has been gone for sometime and the estate is run by a board of trustees on which Fitzwilliam Darcy serves. The story opens with the terrible news that there has been a fire at Rosings that has caused considerable damage. The current Vicar, Mr. Harrison, suffers a heart attack and his continuing illness causes some drastic changes to his situation for himself and his family. His wife Catherine, one of Charlotte and Mr. Collins’ daughters, is now caring for her husband and dealing with her grief over the damage done to Rosings where she lived when Lady Catherine took her in as a young child to be a companion for Anne.

The Rosings estate has recently hired a curator to deal with the historic artwork and others treasures of Rosings. Luckily he had done much of the work to catalog what was in the house and it will be useful to the board in determining their loss and what can and should be done to rebuild. That he is also someone who had worked at Rosings while Catherine lived with Lady Catherine helps to bring back many memories and releasing many emotions of her childhood and early adulthood before her marriage.

Meanwhile, Catherine’s daughter seems to be falling in love with a young man in the neighborhood that few people know anything about other than he’s a gentleman and very good at his job. Beck Tate, Catherine’s sister, is at loose ends as her husband has gone to America on business, leaving her behind. Unfortunately for Catherine, Becky feels it is her duty to watch out for her supposedly more naive and unsophisticated sister.

That sets out the parameters of the book, but the journey and the experience of reading it yourself is the frosting on the cake. Collins is not flamboyant — the writing is very reminiscent of sitting about with a best friend talking about family, friends, what is happening with the neighbors, what’s going on, what can be done to make life better for those around you — and yourself, of course.

That’s not to say that you won’t shed tears, laugh out loud, try to get characters to look before they leap, get angry about how some are treated, wonder why other won’t mind their own business, and smile because sometimes love does conquer all. And best of all, for some people there are second chances and, while they don’t come often, when they happen you should not stand and watch them pass you by but reach out for new dreams and a new life.

There’s a very comfortable feel to The Pemberly Chronicles. These are people most of us have spent a lot of time with. Austen created characters that still resonant with us so many years after she wrote her books. That Austen often left her characters just as the leave they church after their wedding, it’s no wonder that so many of us want to know what happened next. Rebecca Ann Collins gives us one possible future — it’s a comfortable one that we can relate too that differs only in degree from the future we see around us for our friends and family.

These are wonderful books for a rainy day — or any day — when you want to believe that people are good at heart and that families stand together in times of trouble. These are books that continue the story of some well loved characters but they are also books of hope and of dreams of communities that many of us would like to live in.

A Contest: The Sourcebooks, the publisher of Mr. Darcy’s Great Escape, is willing to support a giveaway for the US and Canadian readers of this interview. Leave a comment on the post and I will chose a random comment author on Sunday February 7th. I’ll contact the winner to get their snail mail address. Winner will receive one set of three books in the Darcys and Bingleys series).

Marsha Altman continues the story of The Darcys and the Bingleys in Mr. Darcy’s Great Escape, bringing us to 1812. This is book three of the series following The Darcys and the Bingleys and The Plight of the Darcy Brothers. The books are a delight, continuing the lives of some of literature favorite characters Elizabeth Bennet Darcy and Fitzwilliam Darcy. One reviewer said that “that [these books] would please even Jane Austen.” The more I read about Austen’s wit and humor, the more I do believe that she would appreciate Marsha Altman’s continuation of the story.

It may be Mr. Darcy’s Great Escape but you gave the women a very big role this time. Just how much fun was it to pair up the unlikely duo of Elizabeth and Caroline?

Marsha: A lot of fun, but also a little tricky. Even though nine years have passed since the events of Pride and Prejudice, these women still haven’t completely warmed to each other. Elizabeth is still witty and stubborn, and Caroline has to retain a certain edge to her for her to remain Caroline Bingley, even if she’s now Caroline Maddox. It’s not my attempt to make these characters unrecognizable, even if they do evolve significantly as they go through milestones in their lives, particularly marriage and children. Nor was it appropriate to have them constantly sniping at each other, because their journey was very serious. So I had to find a kind of balance there. Darcy and Dr. Maddox actually have more time to bicker, because they have few ways to pass the time while they’re waiting to be rescued.

So much of this resonated with Bram Stoker’s Dracula only without the vampires but with all the Gothic scariness. There’s even a ninja. Did you intend such a homage? Or am I just seeing a connection you didn’t intend?

Marsha: Just a straight-out correction here: There are two vampires in this story. The book just never says it outright, but the hints are hidden in the details. They reappear in other literature I’ve written that’s not Pride and Prejudice related and is either going to be published soon or I’m hoping will sell later this year. And there are no ninjas, only samurai (book 8 has ninjas).

The homage is entirely intentional, but more for the reader than the characters. To them, Transylvania is a place they’ve never heard of and can’t locate on a map before this story begins, except within the context of Brian Maddox having mentioned it was in Austria somewhere in the previous book. Let’s remember that Dracula by Bram Stoker wasn’t published until 1897, and that book was the formation of the modern vampire legend and its association with Transylvania, whereas previously the legends about vampires were less centralized to a place and more nebulous. Vlad the Impaler, on whom Dracula the character is supposedly based, was actually from Wallachia, not Transylvania, and his legend wasn’t widespread until the book was published. So the name “Transylvania” wouldn’t strike instant fear into the hearts of people in 1812. It would be intimidating for being so far east, beyond the known and safe world of the European Continent even if it was technically part of the Austrian Empire at the time, because of its remoteness. The fear comes from leaving familiar Regency England and traveling into a dangerous backwater area, where the “other” is the real scare, not the supernatural.
Nonetheless I chose Transylvania because it has an instant connotation for my audience, and it does have a wealthy historical tradition of folklore to draw from in the scenes that use it. When you’re in a mysterious place, it’s an easy step to be drawn into the foreboding local tales that might surround it, so it’s a simple jump from “scary count who kills people” to “vampires, witches, and warlocks.”

I should remark that this isn’t totally fair to Romanian history. Transylvania had plenty of European, cosmopolitan nobles who had encountered the Enlightenment and were beyond this nonsense (there’s one in the book), but the villains are particularly backwards to heighten the experience.

It seems with each book that Mr. Darcy has to face some of his inner devils or at least learn to broaden his view of the world and the people in it. Do you enjoy tormenting him? Have you got much more torment in store for him?

Marsha: This is as bad as it ever gets for Darcy. Seriously, I let him off easy from here on. He’s better equipped to deal with strife that involves his family lineage in future books after his experiences in this book. This book was my attempt to stretch as far as I could my interpretation of Darcy. In many circles, there are two schools of thought to explain Darcy’s actions in Pride and Prejudice – either he made his mistakes because he was “proud” and then genuinely learned from his actions and changed his characters, or he was “shy” and misinterpreted, causing multiple misinterpretations on both ends that needed to get cleared up before the right people could get married. Austen provides fodder for both explanations: Mrs. Reynolds, on Elizabeth’s visit to Pemberley, goes out of her way to proclaim that her master has always been good and kind to everyone, and Darcy admits at Rosings that he’s not good in making easy conversation with strangers, leading to the “shy” interpretation. Then you have Darcy at the end saying that he was spoiled as a child and expected only the best, leading to the “proud” interpretation. I’ve always sided with “shy” because it makes Darcy a better man – he’s not a jerk who reformed so much as someone who made bad decisions and then corrected them.

Today we have a larger understanding of people who are uncomfortable around other people, myself being one of them, and don’t have an easy time making new friendships or retaining old ones. For people like this, parties full of strangers can feel like living hell. In extreme examples, you have Social Anxiety Disorder, where people can actually develop shortness of breath in the presence of too many people, and you have medication for it. I don’t believe that these problems didn’t exist in the past, they just weren’t acknowledged or understood. I am not, for the record, diagnosing Darcy with SAD (his symptoms don’t match), but pushed to the edge as he is in this book, the darker side of whatever makes him an unsocial person comes out in full force, and coupled with a genetic predisposition you have a serious problem on your hands that tests not just him but everyone around him. It’s a pretty radical interpretation of Darcy, but I like doing new things.

It appears that Gregoire may be learning to relax a bit. You’ve taken all the characters in new directions that wouldn’t have been expected just one book ago. But, it all feels so consistent with their growth. Can you tell us in some very general terms what we might have to look forward to in future volumes?

Marsha: G-d willing, this series will keep being published by my benevolent publisher Sourcebooks, and the next book will be mostly concerned with Grégoire, and his spiritual evolution after some events force him to return to England. Grégoire is like his half-sister Georgiana in that he believes in the good in everyone, but he’s a Darcy, so that makes him stubborn as hell about the way he wants to live his life, even if it seems in direct conflict with the way a modern person (in Regency terms) should live their life. In the fourth book you also have the emerging characters of the children. George Wickham (the third), Darcy’s half-nephew, is old enough to be in University, and Geoffrey Darcy is about to leave for Eton, and Georgiana Bingley is getting ready to enter society, so the shape of their characters as adults is starting to emerge, and the parents have to take a greater hand in trying to guide them into adulthood, where potential fortune or disaster awaits depending on their behavior. When they’re little kids, you can kind of let them run around and occasionally give them instruction, but the stakes become much higher much faster in their teenage years.

The fifth book, which a lot of my readers on the internet feel is the best book so far (nobody’s had a chance to weigh in on the last book and the Velociraptor-related ending), is the one where most of the children have entered society or are about to do so, and they become instrumental to the conflict and resolution in the story. There are still a lot of young kids running around, but the main cast of the next generation has emerged as players, sometimes to their parents’ disapproval. I didn’t want to write a series where BOOM! the kids are all adults trying to get married and the adults haven’t changed except that they have more gray hair and wear glasses. Books skip ahead a few years to key events, but the evolution is steady and somewhat mapped. Nobody ever stops evolving, because people are always growing, even in their later years.

What’s been the biggest surprise about response to your series?

Marsha: That people who have not read Pride and Prejudice have read it and enjoyed it. My parents re-watched the movie and that helped them out. I really should have included a summary of Pride and Prejudice in an introduction to the first book.

Mr. Darcy’s Great Escape—in stores February 2010

Hilarious and action-packed, this installment brings the Darcy and Bingley families to the year 1812 and the intrigues of the Napoleonic Wars. Darcy and Dr. Maddox go in search of Darcy’s missing half-brother and land in a medieval prison cell.

Much to his dismay, Charles Bingley is left to hold the fort at Pemberley while his sister Caroline, Elizabeth, and Col. Fitzwilliam traverse Europe on a daring rescue. Meanwhile, Lady Catherine de Bourgh kicks up a truly shocking scandal. One never knows what might happen next between the estates of Rosings and Pemberley.

ABOUT THE AUTHOR:

Marsha Altman is a historian specializing in Rabbinic literature in late antiquity, and an author. She is also an expert on Jane Austen sequels, having read nearly every single one that’s been written, whether published or unpublished. She has worked in the publishing industry with a literary agency and is writing a series continuing the story of the Darcys and the Bingleys. She lives in New York.

Marsha Altman continues the story of The Darcys and the Bingleys in Mr. Darcy’s Great Escape, bringing us to 1812. This is book three of the series following The Darcys and the Bingleys and The Plight of the Darcy Brothers. While the lives of the major characters have continued since Pride and Prejudice, Altman has remained true to the character of each person and yet allowed them to grow and change, not to mention beginning a new generation of Darcys and Bingleys.

The book opens as the entire clan gathers at Netherfield, which Mr. Bennet has had to rent, for Kitty’s wedding. It’s an occasion that allows the reader to catch up on the growth that has taken place and refresh their memories of the previous books. It also sets up the relationships between the characters and their families, so what happens later in the story fits into these new and expanding friendships and family connections.

Once past the confused chaos and joy of the wedding, we’re hit with incident after incident with little quiet time to relax until the end of the book. That’s not to say the book is episodic or has gaps that make the story jerky — it’s just much more of an action adventure thriller than the sedately paced story most readers would expect from a Pride and Prejudice follow on. In fact, I don’t think any of Altman’s books are quite what you’d expect, but they are nevertheless some of the best follow on stories to Pride and Prejudice that I’ve read to date. Each volume is filled with humor, quirky happenings, incidents that will have you laughing right out loud, as well as scenes that will catch at your heart and put a tear in your eye.

You probably wonder why I’m not getting to what the book is about, well, it’s a book that brings a lot of characters together in way that you would not expect, doing things you probably would never have thought possible. Lady Catherine de Bourgh finally invites the Darcys to Rosings and of course she has ulterior motives that in themselves bring on some especially trying and unexpected consequences. Dr. Maddox’s brother Brian has invited him to visit with him and his wife in Transylvania. It’s a strange letter and Dr. Maddox feels he must not just respond but take the journey to find out for himself what is going on. Darcy has lost contact with his brother, Gregoire. The war is heating up in Europe and many of the monasteries are being disbanded. Concerned that traveling alone could be dangerous, Darcy and Dr. Maddox decide to travel together. When their wives receive notes that make them suspect that something is going on, Elizabeth and Caroline put aside their differences and set out on a mission to discover what has happened to their husbands.   Bingley and Jane, of course, need to stay behind and watch over all the children, related businesses and establishments. I’ll leave it up to the reader to determine who had the worse part of this adventure.

There are plenty of incidents that occur in England and in Europe and Altman manages to keep us informed on what is happening to each of these various groups: Darcy and Maddox; Elizabeth and Caroline; Gregoire; the Bingleys, and the Fitzwilliams. Just as in life, it’s complicated, but once you begin you just can’t put the book down. I ended up reading it through four times preparing for this review because if I opened it to look up something, I ended up rereading it. In fact, I’m about one third of the way through again.

So don’t waste any time, Mr. Darcy’s Great Escape should be available from Amazon and from wherever you usually buy your books. But don’t start reading until Friday night because you’ll want to finish it in one go and start over again to savor the humor, the adventure, and the pleasure of spending time with the Darcys and the Bingleys.

NOTE: Tomorrow’s post will be an interview with Marsha Altman about Mr. Darcy’s Great Escape and other books planned for the series. Please check back for the interview and to enter a contest to win a set of all three of the books that have been published in this series so far.

Monica Fairview, author of The Other Mr Darcy, was gracious enough to answer a few questions allow me to share her answers. Her book was released on October 1st and is now in stores. I reviewed The Other Mr. Darcy on my blog last month on September 23rd.

Drawing:

I’ll be giving away one copy of The Other Mr. Darcy. The winner will be chosen from those who have commented on this post and live within the US or Canada. The winner will be chosen from those who comment on October 16th.

Interview with Monica Fairview:

What drew you to Caroline Bingley? She’s not a very sympathetic character in Pride and Prejudice and most follow on books center on the P&P main characters, what was it about Caroline that called to you to give her a chance at happiness?

I see Caroline as an underdog in Pride and Prejudice. Elizabeth waltzes in and steals Mr. Darcy from right under her nose, and to add insult to injury, everyone gets to hate Caroline because she wanted Darcy in the first place. I kept thinking about Caroline and the kind of labels people attach to her such as “evil” and “witch” and other less polite terms, and my feminist instincts came to the fore. Why is Caroline the scapegoat in this story? She doesn’t do anything that Darcy doesn’t do. Darcy snubs Elizabeth and makes snide remarks about her family (“I’d sooner call her mother a wit,” he says), separates Bingley from Jane, and has plans to marry well. Caroline doesn’t do anything worse than that. Yet Darcy is forgiven, because he comes to love Elizabeth, but Caroline isn’t. There’s a much worse villain in Pride & Prejudice: Wickham. And yet you don’t hear people call him names.

So I wanted to give Caroline a voice. It’s as simple as that.

I was a bit surprised that Mr. Robert Darcy was American. It can be assumed that there are European D’Arcys, so why put a branch of the family in American?

I didn’t even think of the European D’Arcys because I was looking for a specific type of hero. Robert Darcy’s father left England because he was an odd person out. He couldn’t live with the expectations of being a gentleman. He was a businessman, and since engaging in trade wasn’t quite respectable, he needed to go elsewhere. Robert Darcy, too, is a sort of rebel. He does his own thing, even though as a Bostonian whose mother comes from a Brahmin background (though that word wasn’t used until later), he’s been raised very much like an English gentleman. So he’s capable of seeing two sides of the coin. Because of that, he can help Caroline see what’s wrong with her own lifestyle. Plus, he won’t look down on her for being in “trade.”

In addition, I have an underlying theme in the novel about “otherness” and how easily one can become alienated from society. Britain is at war with America at the time the novel takes place. Robert is caught behind enemy lines, so to speak, although the English at the time were more interested in the war with Napoleon than what was happening in the former colonies. But it forces him to examine his own identity. As a Darcy, he is part of the upper class in England. But as an American, he has supposedly moved away from such distinctions. It was fascinating to explore the contradictions inherent in the social systems. Through Robert I was able to look at the differences between the New World and the Old, and to explore the question of the newly established American identity of the time.

Because Robert is actually trying to define his own identity, his journey of self-awareness runs in a way parallel to Caroline’s, who also learns some hard lessons about her own role in society, both from a class perspective and as a woman.

One of the main problems of writing a follow on book from any of Jane Austen’s works, is “how true must I stay to the characters she developed as I bring them into a new adventure.” Did you feel that keeping the main character traits caused you any problems in moving in the direction you wanted to go? Did it cause any problems in your filling out Caroline’s growth and change?

Yes, it’s very hard – you do have to stay true to the characters. And you have to be very disciplined. I found it very restrictive, in some ways, but I also found I learned so much about the craft of writing from Jane Austen. She’s amazing, really, not only because of Darcy or Elizabeth but because she’s so very subtle. And then trying to adopt Jane Austen’s characters and move them into the new context was a huge challenge. I enjoyed it tremendously, though. Some Austenesque writers solve the problem of keeping the characters true by using actual quotes from P&P. I couldn’t do that, because I wasn’t presenting things from the same angle. I did use a lot from P&P to fill in Caroline’s background, but by the beginning of The Other Mr. Darcy Caroline had already changed in some ways. She’d been in love, and she’d been badly hurt. I was therefore able to have her stay true to her character, but at the same time I was able to show her as vulnerable, too, for two reasons: 1) because of the pain she went through and 2) because Robert Darcy has watched her fall to pieces, and she feels almost in his power.

I think when it comes to the other characters, the Bennets, for example, I’ve stayed as true to P&P as I could while at the same time putting them into different contexts. I studied the speech patterns of each of the characters very closely, and tried not to have them say anything that didn’t seem to fit. I’ve known P&P since I was about thirteen, and have read it so many times I have sections of it memorized. That definitely helped.

When not reading or researching the Regency period for your books, what type of books do you like to read — what are the last five books you read just for fun?

I noticed that you featured Connie Willis on your site. I just (re)read Passage, which I think is brilliant, though probably the word “fun” doesn’t apply here. I love her writings. I also love Cherryh’s Foreigner series, because I love the way she deals with cultural issues. For fun, to get out of the Regency world I seem to eat, drink and breathe, I read SF, especially by women writers, though I don’t read as much of it these days as I used to since it seems to have gravitated towards horror, which is not my genre, even though it’s enormously fashionable. I’ve been reading some British romantic comedy writers such as Julie Cohen’s Girl From Mars, Phillipa Ashley’s Decent Exposure, and Jill Mansell who is now being published by Sourcebooks. I read veraciously.

Most people are interested in writers and their lives, so what’s a typical writing day like for you?

I dream of something to write, then I wake up and start scribbling frantically onto bits of paper. Actually, not true, though sometimes that does happen. Not the dreaming part, but the bit where I wake up with a dialogue or scene in my head that I have to write down or I lose it. But otherwise, my working day is quite mundane. I usually turn on my computer when I wake up to give it a chance to do all the updates and come up with all the delays it possibly can, then do school drop-off. Next I procrastinate by checking e-mails, facebook, twitter, etc. When I have no more excuses left, I have to start writing. It’s really like any job, except it’s a lot more fun. I have to take into account my child’s schedule. I usually stay up late to write because that’s a quiet, peaceful time with fewer interruptions.

Has the reaction to The Other Mr. Darcy held any surprises for you? Anything you didn’t expect?

Not so far. I’m sure there will be some surprises, though. The Other Mr. Darcy is a bit different from many of the Austen-inspired novels out there.

Thanks for your time!

Thank you! I’m delighted to have had this chance to share my thoughts and books with you and your readers.

The Other Mr. Darcy—in stores October 2009!
Did you know that Mr. Darcy had an American cousin?!

In this highly original Pride and Prejudice sequel by British author Monica Fairview, Caroline Bingley is our heroine. Caroline is sincerely broken-hearted when Mr. Darcy marries Lizzy Bennet— that is, until she meets his charming and sympathetic American cousin…

Mr. Robert Darcy is as charming as Mr. Fitzwilliam Darcy is proud, and he is stunned to find the beautiful Caroline weeping at his cousin’s wedding. Such depth of love, he thinks, is rare and precious. For him, it’s nearly love at first sight. But these British can be so haughty and off-putting. How can he let the young lady, who was understandably mortified to be discovered in such a vulnerable moment, know how much he feels for and sympathizes with her?

About the Author:
As a literature professor, Monica Fairview enjoyed teaching students to love reading. But after years of postponing the urge, she finally realized what she really wanted was to write books herself. She lived in Illinois, Los Angeles, Seattle, Texas, Colorado, Oregon and Boston as a student and professor, and now lives in London. To find out more, please visit http://www.monicafairview.co.uk/

With Jane, Elizabeth, and Lydia married, Mrs. Bennet has set her sights on marrying off Mary and Kitty. Since Kitty is currently away visiting her sisters, Jane and Elizabeth, Mary is taking the brunt of Mrs. Bennet’s efforts. While Mary is willing to meekly follow Mrs. Bennet’s instructions to smile and dance, she has no intention of marrying as she firmly believes that it is not a state she wishes to enter, having observed her sister’s marriages.

Ward has chosen to focus on Mary, the least understood and most overlooked of the Bennet sisters– in fact, in some movies based loosely on the original Austen story, they leave Mary out altogether. In A Match for Mary Bennet, Mary is very much as she was in Pride and Prejudice. She studies and reads but does not always get from the reading what most people would expect. She sees only the surface and assumes that what you see is all there is to a person. She doesn’t lie herself, and assumes everyone tells the truth. In a society based so much on hiding a person’s true emotions, Mary’s character leaves her ill prepared to deal with the world as it is. Luckily for Mary, she is somewhat protected by her family.

Mary also believes that people with authority are voices of reason; I believe that this is why she has been so taken with Mr. Collins. Her mother tells her Lizzie married Mr. Darcy to make up for refusing Mr. Collins and it was a huge sacrifice on Lizzie’s part. Mr. Collins tells Mary to never speak of Lydia again–to pretend she died. If authority says something, Mary doesn’t question–until she meets the new minister Mr. Darcy has chosen for Kympton, Mr. Oliver.

Without her sisters, Mary finds she’s asked to dance at the assemblies and that she also has to take part in conversations. We find that she’s not shallow. Mary has a good head on her shoulders, she just assumes that people are what they appear to be and when they ask a question — that is the question they are asking. As readers we find that Mary gives good advice. After meeting Mr. Oliver, she begins to pay more attention to the people around her and learns that she has often missed seeing the true person. Mary grows.

Her sisters’, Jane and Elizabeth, and their husbands, are aware that Mary doesn’t wish to marry and they manage to assist her in finding security in case she doesn’t change her mind.

There’s a lot going on in this book besides Mary finding herself and new inner strength to stand up for herself. Many of the original characters from Pride and Prejudice appear and continue their lives in concert with the way they were set in motion in that original book. Life goes on in the world of Pemberly and the people live their lives. Ward has fashioned an interesting story and has given us an interesting take on a Mary Bennet. It may not be to everyone’s taste as religion is a large part of Mary’s life and thus is a large part of her moving forward to become a more independent person. It’s not preachy and it’s totally in character.  And as it shaped Mary in Pride and Prejudice it shapes her thoughts and actions in A Match for Mary Bennet. And as readers, we come to know her better for spending some time with her.

Mr. Darcy has married Elizabeth Bennet. Caroline Bingley is devastated and mortified by this turn of events. After the ceremony, she finds an empty room and gives way to her heartbreak and sorrow. Imagine her surprise when she realizes that her blatant display has been witnessed by a gentleman who had been in the room before she entered. They agree to never mention it again. Carolyn believes that is the end of the matter until months later when she is introduced to Mr. Darcy’s American cousin, Mr. Robert Darcy, the man who witnessed her loss of decorum and who, because of his station and relations, will be thrown into her company as he waits out the war before returning to America.

Most of the follow on books that continue the story of Austen’s Pride and Prejudice, deal with the lives of Elizabeth and Darcy. Monica Fairview has chosen to focus on Caroline Bingley. In Pride and Prejudice, Carolyn was depicted as a proud, jealous, status seeking, snarky, conniving woman who had set her sights on Mr. Darcy. In the very first scene, Fairview changes our perception of Carolyn by showing us that she didn’t just want Darcy’s fortune and status–she actually loved him. We can’t help but feel for her loss and sorrow–but can we come to like her? How will she take this loss — will she accept it and move on to try again, or harden her heart and become the woman we all thought she was?

It doesn’t take much effort to guess that Robert Darcy is smitten with Caroline Bingley. He was privy to her outpouring of emotional tears and had been touched by the depths of her feelings. He wants to get to know her better and perhaps take his cousin’s place in her affections, or at least gain her good will. We don’t get into his head, so we can only guess at his motives and wishes. However, it’s obvious that the two of them come from different backgrounds even though their status might be equal. So, there’s plenty of misunderstandings and cultural differences to add to the mix.

The major stumbling block is that Caroline is a woman of her times. She’s been trained from a young age in how to behave and what is acceptable and what is not. Over time she has had to give up almost everything she loved in order to become the woman that society expected her to be. But underneath, Caroline still remembers bits of what she lost and it’s only now, with the loss of Darcy to Elizabeth Bennet that she wonders if it was worth it. Caroline begins to question all her assumptions about society, her way of life, her status, and reputation. She’s beginning to see herself, her family, her sister, and her friends with some new insights. When Robert Darcy comes to the rescue of her reputation it just adds to her confusion.

Over time Robert Darcy and Caroline Bingley have their own dance of approach and avoidance and pride and prejudice. Some of the best and wittiest dialogue is during the fights these two have over their perceptions of right and wrong, society, reputation, and trust. You find yourself wishing you could reach within the pages of the book and give a shake or whisper in an ear — as with Pride and Prejudice, we can only sit and continue reading and hoping that these characters will eventually work out their differences and realize their true feelings for each other.

Along the way, Caroline reclaims herself, finding that many of the preferences and talents that she’d suppressed in order to be deemed “proper” are ones that if she’d had any say she’d never have abandoned. As she examines her life and her future, she becomes a person that this reader, at least, found she actually liked.

Fairview gives us a Caroline Bingley that has history, which in turns gives her depth. She allows us to see that there is more to this character than we could ever have guessed from the pages of Pride and Prejudice. Yet, she doesn’t do anything that would take away from the original presentation of the character; she only puts it in a different light and gives us background to understand Caroline a bit better.

Indeed, this is a worthy addition to the growing body of works that continue the stories begun in Pride and Prejudice.

Publishing Info: The Other Mr. Darcy. Did you know, Mr. Darcy had an American Cousin? by Monica Fairview. ISBN: 978-1402225130. Published by Sourcebooks Landmark, October 1st, 2009.

Monica Fairview, author of The Other Mr. Darcy. Did you know Mr. Darcy had an American cousin?, will be setting out on a blog tour to talk about her book and her writing.

A Curious Statistical Anomaly will be part of that tour. The review of The Other Mr. Darcy will be posted on September 23rd and an interview with Monica Fairview on October 11th. But you don’t have to wait for October 11th. Below is her blog tour schedule which starts September 28th. Be sure to check in with these websites to learn more about The Other Mr Darcy and Monica Fairview prior to the books publication date of October 1st.

Note that there will be a give-away of one copy of The Other Mr. Darcy after the October 11th interview. Check back then for details.

September 28: Fallen Angel Reviews Guest Blog
September 29: The Review from Here/ScribVibe
September 30: Everything Victorian
October 1: The Good, the Bad, the Unread Guest Blog
October 2: A Bibliophile’s Bookshelf
October 5: Grace’s Book Blog
October 6: The Burton Review
October 7: Bloody Bad Books
October 8: The Long and the Short Reviews
October 9: Love Romance Passion
October 11: Curious Statistical Anomaly
October 12: Good and Bad Books
October 13: Lib’s Library
October 16: Fresh Fiction

Marsha Altman was gracious enough to make A Curious Statistical Anomaly a stop on her Blog Tour and talk about her newest book, The Plight of the Darcy Brothers. We’ll be giving away 1 set of Marsha’s two books: The Darcy’s and the Bingleys and The Plight of the Darcy Brothers (must have a mailing address in the US or Canada). I will pick a random person who as posted a comment on this blog post as the winner. Winner will be chosen on August 19th.

I’m the author of The Plight of the Darcy Brothers, a sequel to The Darcys and the Bingleys, which is a sequel to Pride and Prejudice. And it is a series; book 3 (Mr. Darcy’s Great Escape) is due out in Feb 2010. Gayle asked me to talk about the problems of remaining true to the original characters once I’m beyond the scope of the original Austen book, and in book 2, about four years have passed since the wedding, other people are married too, and there are kids. I would say I’m pretty past the scope.

The real answer, as I see it, is that there is no way to remain true to the original characters because there is no one set of “original characters.” Every person who reads Pride and Prejudice comes away with a different impression of how the characters acted and how they would like them to act in a sequel. I have my own interpretation; at times it’s wild and at times it’s pretty straightforward. As an author, my job is to make it presentable, so even if the reader doesn’t agree with it, the reader is at least willing to accept it.

A prime example is the first book, which got a lot of criticism for having Darcy be a lush and therefore the butt of several jokes while in college. I didn’t think making Darcy a lush was at all negative to his character. You work up a tolerance for alcohol by drinking a lot, and Regency gentlemen drank more than a lot. The idea that Darcy has a lower tolerance means that he is very conservative in his alcohol consumption, perhaps fearing that a slovenly image would harm his family name (which is so clearly important to him in Austen’s work), and as a result he doesn’t have much of a tolerance compared to his peers, so when he does drink, he gets very drunk quickly. Since Darcy lives on his high horse, his college friends (and Wickham, of course) take any advantage they can get to knock him off it. In other words, he’s so virtuous that people enjoy seeing him knocked down a peg, albeit in a friendly way. I felt it was an amusing way to soften Darcy, but some readers didn’t agree, as Darcy is not supposed to be ridiculous. I can see their point, but it’s the story I wanted to write, so I wrote it.

Much less controversial methods of maintaining a tone involve simply expanding a character, keeping the old ideas in place but implying there are other facets of a character’s personality we haven’t seen before. Bingley is still overly sweet and has bad handwriting, and knows his judgment when it comes to assessing relationships can be flawed, something he learned in Pride and Prejudice, which is why he went to Darcy for help vetting Caroline Bingley’s suitor in my first book. On the other hand I felt no need to make him a complete idiot. His father was massively successful in trade, so Bingley is good with numbers and languages. He’s not experienced running an estate but he’s a fast learner. Caroline and Louisa show the same qualities; Caroline’s knowledge of Italian was what put her so constantly in Dr. Maddox’s presence that she married him. In Pride and Prejudice, Caroline Bingley was a snob, obsessed with fashion, stature, and putting other people down. Adding intelligence doesn’t contradict that. Even after she marries someone arguably below her station (though he was born well above her station), she maintains a certain edge absent in Jane and even Elizabeth. The important thing is that it isn’t directed at her husband and doesn’t bother him, and being married and settled predictably makes her a bit softer, as most of her cattiness in Austen’s work was due to trying to woo Darcy and shun Elizabeth, something she no longer has to do.

I’m supposed to end these guest blog posts with a question to start a discussion pertaining to my novel, but as this is the last stop on my blog tour, so I’ll ask this instead: Chicken or fish?

About the Author

Marsha Altman is a historian specializing in Rabbinic literature in late antiquity, and an author. She is also an expert on Jane Austen sequels, having read nearly every single one that’s been written, whether published or unpublished. She has worked in the publishing industry with a literary agency and is writing a series continuing the story of the Darcys and the Bingleys. She lives in New York.